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BREAKING BAD
Edited by David P. Pierson
Acknowledgements
Introduction
AMC’S TRANSFORMATION
ANALYZING
WORKS CITED
The Contexts of
BREAKING NEOLIBERAL? CONTEMPORARY NEOLIBERAL DISCOURSES AND POLICIES IN AMC’S BREAKING BAD
David P. Pierson
NEOLIBERALISM AND TELEVISION
NEOLIBERALISM, PUBLIC SCHOOLS, AND WALTER’S MALADIES
NEOLIBERALISM, CRIMINALITY, AND ENTREPRENEURISM
NEO-LIBERALISM, THE BORDER, AND RACIALIZED DRUG POLICY
CONCLUSION
WORKS CITED
THE ECONOMY OF TIME AND MULTIPLE EXISTENCES IN BREAKING BAD
Dustin Freeley
RECOUPING LOST TIME
CONSTRUCTING SIMULTANEOUS REALITIES
THE TIME CIRCUIT OF 12-STEP PROGRAMS
BUYING TIME
THE AUTEUR’S MANIPULATION OF TIME
WORKS CITED
HEISENBERG: EPISTEMOLOGICAL IMPLICATIONS OF A CRIMINAL PSEUDONYM
Alberto Brodesco
PROFESSIONS
SCIENTIFIC RATIONALITY AND ITS MISHAPS
HEISENBERG
HEISENBERG: USES AND MISUSES IN CONTEMPORARY TV SERIES
UNCERTAINTY
WORKS CITED
The Politics of
TAKING CONTROL: MALE ANGST AND THE RE-EMERGENCE OF HEGEMONIC MASCULINITY IN BREAKING BAD
Brian Faucette
THAT’S WHY THEY HIRE MEN: HANK QUESTIONS SMART MASCULINITY
IS HE ASLEEP?: RECLAIMING CONTROL OF WALT’S SEXUALITY
HE’S A GOOD MAN ISN’T HE?: FATHER, HUSBAND, PROVIDER?
THIS LINE OF WORK DOESN’T SUIT YOU: ADOPTING THE ROLE OF KILLER
CONCLUSION: “I AM THE DANGER”
WORKS CITED
NOT YOUR AVERAGE MEXICAN: BREAKING BAD AND THE DESTRUCTION OF LATINO STEREOTYPES
Andrew Howe
WORKS CITED
A LIFE NOT WORTH LIVING
Jami L. Anderson
CONTROL… NORMAL… REAL—CONTROLLED AND UNCONTROLLED
NORMAL AND ABNORMAL
REAL AND UNREAL
WALTER WINS AN EMPIRE… AND LOSES EVERYTHING THAT MAKES A LIFE WORTH LIVING
WORKS CITED
The Style and Reception of
BREAKING THE WAVES
Pierre Barrette and Yves Picard
FROM ZERO-DEGREE STYLE TO SECOND-DEGREE STYLE
CONCLUSION
WORKS CITED
UNCERTAIN BEGINNINGS: BREAKING BAD ’S EPISODIC OPENINGS
Rossend Sánchez-Baró
THE BEGINNING OF THE BEGINNING
DECONTEXTUALIZED IMAGES
TEMPORAL COMPLEXITY: WHAT IS THE PATTERN?
GENRE AND HYBRIDITY
WORKS CITED
BUYING THE HOUSE: PLACE IN BREAKING BAD
Ensley F. Guffey
9809 MARGO STREET: JESSE PINKMAN’S HOME
308 NEGRA ARROYO LANE: THE WHITE HOME
THE LABS
THE DESERT
CONCLUSION
WORKS CITED
MEDIATING FICTIONAL CRIMES: MUSIC, MORALITY, AND LIQUID IDENTIFICATION IN BREAKING BAD
Carlo Nardi
THE COMPILED SCORE
SELECTIVE IDENTIFICATION, MORAL RISK, AND DISENGAGEMENT
FROM SYMPATHY TO NOSTALGIA
THE EXPANSION OF THE DIEGETIC SPACE
CONCLUSION
WORKS CITED
FEELING BAD: EMOTIONS AND NARRATIVITY IN BREAKING BAD
E. Deidre Pribram
EMOTIONAL ACTION
RELATIONS OF POWER
FEELING BAD
WORKS CITED
Main Cast
Production History
Season One
Season Two
Season Three
Season Four
Season Five
About the Contributors
Index
Copyright
